Music Talk - Green Day - Father Of All Motherf*****s - 2/7/20 - = accelerometer; autoplay; encrypted-media; gyroscope; picture-in-picture allowfullscreen> this record is The New! soul, Motown, glam and manic

If you were to compare Green Day to a cockroach, founding members Billie Joe Armstrong, Tre Cool, and Mike Dirnt might not object. Who knows— they might even express an affinity for a species of insect that’s earned a reputation for being indestructible, knowing what it takes to endure as a punk band that’s forging ahead into its fourth decade. In that time, they’ve been recognized as pioneers of the East Bay punk scene and decried as sellouts. They’ve adapted one of their albums into a successful Broadway musical and weathered the fallout of Armstrong’s antics at the iHeartRadio Music Festival in Las Vegas in 2012, which eventually led the singer and guitarist to attend rehab for substance abuse. Through it all, of course, they’ve continued to release new records as well. In the wake of 2000’s pleasant yet unremarkable “Warning,” Green Day reinvented itself as a rock-opera act with 2004’s “American Idiot” and its successor, 2009’s “21st Century Breakdowns.” Next came a trio of albums that were heavy on filler and light on direction in the form of 2012’s “¡Uno!,” “¡Dos!” and “¡Tré!.” Most recently, Green Day returned in 2016 with “Revolution Radio,” an effort that found the band wearing its Clash fandom on its collective sleeves and returning to a more traditional album approach. This recent release history made it difficult to determine precisely what anyone should have been expecting from Green Day’s 13th studio record, “Father of All Motherf—ers” — or, as it’s mostly being abbreviated, “Father of All…” Given the precedent set by “American Idiot,” you had to wonder if Donald Trump would earn a central role in the band’s latest offering, but far from doubling down on politics, “Father of All…” instead prefers to take a more timeless approach. Aiding the band’s efforts is producer Butch Walker, a newcomer to the world of Green Day who has previously worked with the likes of Taylor Swift and Panic! at the Disco. If Walker’s job was to shake things up, his efforts are most keenly felt on the record’s opening title track, which finds Armstrong singing predominantly in an affected falsetto.< Build on the bombast of snotty guitars and Hot Topic poetry — sample lyrics: “We are rivals in the riot inside us” — “Father of All…” is an inauspicious opening shot that manages to be enjoyable yet disposable. It’s a trend that continues throughout “Father of All...,” which never fails to deliver ear worms but often stuffs them with empty calories. Although you can easily imagine the stadium foot-stomps and spirited call-and-response that will assuredly greet live performances of “Oh Yeah” on this summer’s stadium tour, as a studio track, it finds Green Day unwilling to venture too far from infinitely familiar territory. “Fire, Ready, Aim” feels at most like a distant cousin to “Revolution Radio’s” “Bang Bang,” while the honky-tonk overtones of “Stab You in the Heart” fail to separate the song from legions of similar fare. “Father of All...” isn’t without its surprises, however. “Meet Me on the Roof” sees the band indulge in a few minutes of pure prom doo-wop, which has always secretly been a uncharacteristically sweet spot for an act that once named an album after a slang term for fecal matter. “I Was a Teenage Teenager,” likewise, is on the verge of cloying but persists on the strength of strong harmonies. The latter also instantly brings to mind a few of Green Day’s earliest efforts at sincerity from bygone nights at Berkeley’s Gilman. The album’s best cut may be “Take the Money and Crawl,” which finds Armstrong sneering his way through a dissertation on not giving a s—. It recalls the attitude that Green Day infused into many of its most seminal tracks, in which wastelands can be paradise. With “Take the Money and Crawl,” the band proves still capable of translating its trademark brand of suburban scorn into music that resonates. The challenge with being a band built in youth that continues to succeed well into middle age — especially one that’s made its claim under the auspices of punk — is the choice of whether to adapt. Over the years, Green Day has done it a number of times, even when the payoff could never equal the effort. There are bands that stay together for the money, and then there’s this one, which still often books last-minute shows at Bay Area dive bars just to have something to do. “Father of All…,” however, the effort feels more like a sidestep than a leap forward. As the successor to equally milquetoast “Revolution Radio,” it leaves you wondering if Green Day has at last tired of pulling tricks from its heart-adorned sleeves. Rather than creating music with purpose, the band now seems content to manifest material purely from a desire to continue on. That’s not a place that often leads to essential offerings, but perhaps that achievement is a past-tense proposition for a punk trio (or, now, quartet) that has bridged the gap from Reagan to Trump. “Are we the last forgotten?” Armstrong asks on the closer, “Graffitia.” It’s a bit of a trick question, because while Green Day is certainly approaching “last of their kind” territory, it’s clear the band has no intention of fading away. Maybe the ambition to endure will drive them back toward other goals, too, as needing to just say something will never mean as much as having something to say. Read More About:

Sklep Muzyka Vinyle Pop & Rock Zagraniczna Father Of All… (winyl w kolorze czarnym) (Płyta Analogowa) Data premiery: 2020-02-07 Rok nagrania: 2020 Rodzaj opakowania: Standard Producent: Reprise Records Wszystkie formaty i wydania (3): Cena: Oferta cd-dvd-vinyl : 132,03 zł Oferta ABE MEDIA : 157,00 zł Wszystkie oferty Opis Opis „Father of All…” to 13 studyjny album amerykańskiego rockowego zespołu Green Day. Tracklista: 1. Father Of All... 2:31 2. Fire, Ready, Aim 1:52 3. Oh Yeah! 2:51 4. Meet Me On The Roof 2:40 5. I Was A Teenage Teenager 3:45 6. Stab You In The Heart 2:10 7. Sugar Youth 1:54 8. Junkies On A High 3:06 9. Take The Money And Crawl 2:09 10. Graffitia 3:18 Dane szczegółowe Dane szczegółowe Tytuł: Father Of All… (winyl w kolorze czarnym) Wykonawca: Green Day Dystrybutor: Warner Music Poland Data premiery: 2020-02-07 Rok nagrania: 2020 Producent: Reprise Records Nośnik: Płyta Analogowa Liczba nośników: 1 Rodzaj opakowania: Standard Wymiary w opakowaniu [mm]: 314 x 5 x 314 Indeks: 34473368 Recenzje Recenzje Dostawa i płatność Dostawa i płatność Prezentowane dane dotyczą zamówień dostarczanych i sprzedawanych przez . Wszystkie oferty Wszystkie oferty Empik Music Empik Music Inne tego wykonawcy W wersji cyfrowej Najczęściej kupowane Inne tego dystrybutora

Green Day adopt an IDGAF attitude towards those you can’t trust in their raucous new video for “Father of All…”. The song is the title track from their forthcoming 13th studio album, due

fot. mat. pras. Niewiele ponad trzy lata po premierze albumu „Revolution Radio” amerykańskie trio wraca z krótkim zestawem szybkich, pop-punkowych utworów, których anty-bohaterami są nie tylko politycy – z Donaldem Trumpem na czele – ale również… użytkownicy mediów społecznościowych.„Father Of All Motherfuckers” (w oficjalnych materiałach promocyjnych ostatnie słowo tytułu zostało wykropkowane) nie mogła być takim wydarzeniem, jak słynna „American Idiot” (2004), ani też nie miała szans zebrać tak dobrych recenzji, jak pomnikowa punk-opera „21st Century Breakdown”. To już było i… nie wróci więcej. I nie dlatego, że „załoganci” z Green Day nieco już posiwieli i wyłysieli, ale raczej z tego powodu, że… nie wchodzi się dwa razy do tej samej z tego powodu 13 już studyjny krążek Kalifornijczyków jest szybki i mocny niczym cios Anthony’ego Joshuy – a wspomniane i wręcz epickie formy, w których punk i hard core sąsiadował z operą, psychodelią i Bóg wie czym jeszcze, stały się historią – sprzed 15, jak i 10 lat. Dziś Billie Joe Armstrong, Mike Dirnt i Tré Cool stawiają na krótkie, szybkie tematy, przez co album trwa tylko 26 minut! Ostro, szybko, melodyjnie! Samo mięso lub – w wersji dla vegan – świeże, soczyste tofu!Mnie, jako średnio zaangażowanemu fanowi Green Day, który cieplej wspomina ich pierwszy występ w Polsce (Białystok, 1991 rok), niż późniejsze „wygłupy” na płytach „Dookie”, „Insomniac” czy „Nimrod”, najnowsza produkcja trio od razu wpadła w ucho. Ale też nie jest to oczywiście wydarzenie epokowe – raczej fajny zestaw bezpretensjonalnych i energetycznych numerów, które idealnie nadają się do biegania lub jazdy autem. A wreszcie nie można nie docenić tego, że w żaden sposób muzyki zespołu, którego członkowie liczą razem… 147 lat, nie można nazwać „emeryten-punkiem”.Oczywiście tekstowo Amerykanie nie odkrywają… Ameryki – tak, jak na „American Idiot”, który był krytyką rządów George’a W. Busha. Tym niemniej dostaje się na tym krążku Donaldowi Trumpowi, który powoduje u Armstronga… biegunkę. Są tu też wspomnienia z pełnego głupich wybryków dzieciństwa („I Was a Teenage Teenager”), ale nie brak krytyki materializmu („Take the Money and Crawl”), a także narastającego wyobcowania użytkowników mediów społecznościowych („Oh Yeah!”).Brzmieniowo na „Father Of All Motherfuckers” dominują oczywiste, surf-pop-punkowe petardy („Father Of All…”, „Fire, Ready, Aim”, „Junkies on a High”) – czasem z obowiązkowymi chórkami („Graffitia”), ale bywa, że ocierające się niebezpiecznie o teenage’owe brzmienia („Meet Me on the Roof” i – nomen omen – „I Was a Teenage Teenager”). Mimo jednak pewnej „treściwości” nowego materiału, Billie Joe, Mike i Tré Cool trochę „pokombinowali” z dźwiękami, dzięki czemu płyta nie nuży. Podobać się może zwłaszcza „Stab You in the Heart” – stylizowany na rock’and’rolla z lat 60. – oraz biegunowo inny, poszarpany i nerwowy „Sugar Youth” z przesterami i tak brzmi punk w 2020 roku, to ja jestem na tak!Artur Szklarczyk Ocena: 3,5/5 Tracklista: 1. Father Of All… 2. Fire, Ready, Aim 3. Oh Yeah! 4. Meet Me on the Roof 5. I Was a Teenage Teenager 6. Stab You in the Heart 7. Sugar Youth 8. Junkies on a High 9. Take the Money and Crawl 10. Graffitia

13thアルバム"Father Of All…"のタイトルソングです。 13枚目ということに驚きます。Green Dayは多作なバンドですね。 "Father of All"というタイトルが気になりますが、これは"Father Of All Motherfuckers"（全てのクソ野郎達の父）を省略したものです。

^{Kalifornijska grupa Green Day 20 z górą lat po debiucie wydała właśnie swoją najnowszą, 13. płytę „Father of All…”. Kalifornijska grupa Green Day 20 z górą lat po debiucie wydała właśnie swoją najnowszą, 13. płytę „Father of All…”. Mając w zanadrzu nominację do rockowej Galerii Sławy i pięć nagród Grammy, trudno udawać punkowych buntowników. Owszem, płyta kipi energią i surowym gitarowym atakiem, ale, o zgrozo!, wiele piosenek to materiał singlowy i do tego wręcz taneczny. Green Day, Father of All…, Warner Polityka (3250) z dnia Afisz. Premiery; s. 83 Oryginalny tytuł tekstu: "Punk wieku średniego"}

Green Day's 13th studio album sounds and feels like the kind of rock record that a fake band on a sanitized, Netflix original teenage drama would write and record. Which is fine if you're talking about a T.V. show and a fictional band that doesn't actually exist, but it's a terrible context when it's coming from one of rock and pop-punk's most

Green Day had one idea for what to do next: “Let’s make a mess.” These were the four words uttered by Billie Joe Armstrong, Mike Dirnt and Tré Cool as they stepped into their rehearsal room to begin work on this, the follow-up to 2016’s Revolution Radio. It was a bold mind-set, all things considered. Not only was that album labelled a musical return to form after the sprawling triple-whammy of ¡UNO!, ¡DOS!, ¡TRE!, it was also a colossal success, combining Green Day’s now-signature formula of heartfelt, radio-ready punk rock bangers with a post-American Idiot worldview. It would have been a blueprint worth repeating on Father Of All…. Instead, the Oakland trio have scrapped all that in favour of something altogether more playful, mischievous, and – indeed – messy. You’ll already have sensed this if you’ve heard the lead single and title-track, of course. From the excessive handclaps and Billie Joe’s Prince-inspired falsettos, it’s a sign of what’s to come as it opens up the most surprising and potentially divisive Green Day album ever. It’s the shortest release of their career to date, clocking in at just 26 minutes, but it also finds them taking on and dishing out more musical ideas and genres than ever before. On paper, it kind of sounds like a disaster. On record, though, Green Day have never relished a challenge crucially of all, Father Of All… is full of attitude. Billie Joe has cited hip-hop icon Kendrick Lamar as an inspiration this time around, the frontman wanting to emulate the HUMBLE. singer’s raw, real approach to storytelling. And as he confesses, ‘I wanna drink all the poison in the water / I wanna choke like a dog that’s on a collar,’ on Sugar Youth and yelps a rather, er, ballsy, ‘You can take a walk or you can suck my cock,’ on Take The Money And Crawl, it’s clear he’s holding nothing back here. More often than not, his lyrics adopt a dark, autobiographical viewpoint, harking back to the days of 1994 breakthrough LP Dookie and its hard-and-fast 1995 follow-up, Insomniac. In fact, other than the album’s suggestive title, there’s nothing overtly political to be found across these 10 tracks, as the frontman instead focusses on feeling out of control within his own body, as well as observing the chaos of life around him (“I draw no inspiration from the President of the United States,” Billie Joe told Kerrang! last year. “Trump gives me diarrhoea, you know?”). And it’s when Green Day sound the most unhinged that they’re at their best. The fast-paced chorus of the aforementioned Sugar Youth and the explosive Stab You In The Heart are instant highlights, boasting an intoxicating and inescapable energy amongst the riffs. But this is by no means straightforward rock’n’roll, as the band dabble in soul and Motown (Stab You In The Heart) and glam (Oh Yeah!), amongst the usual garage-rock and punk (Fire, Ready, Aim). There are vintage Billie Joe melodies littered throughout, with the sweet Meet Me On The Roof and closing track Graffitia showcasing this always effortless, almost off-the-cuff knack for his craft. In many ways, Green Day have thrown out the rulebook on a sound they’ve spent more than three decades perfecting. They’ve often proven themselves to be an unpredictable bunch by nature (a fact that’s not quite as celebrated as it should be), and Father Of All… is just another sign of a band who have always done things their way refusing to do what’s expected of them. And it’s a hella mega good time from start to finish. Verdict: 4/5 jEVr.

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